We  are in the midst of March Madness -- one of my favorite times of the year.  BYU was eliminated in the first round  again which is very comforting to me because it is a sure sign that the second  coming is not near at hand.  If they  ever make it past the first round we should begin doing some serious preparation  for the end of the world.
I  am so glad that I love UCLA basketball as much as BYU basketball.  I am very impressed with this year's  UCLA team under the direction of their great coach, Ben Howland.  Once again, this year's team is built on  the principle and foundation of a solid, fundamental, in-your-face, hard-nosed,  lunch bucket and hardhat, blue-collar defense that wins games when the offense  falters.  They have won 34 games  this year and have only lost three, largely because of their disciplined  approach and mastery of the fundamentals of good defense.
However,  this UCLA team also has a 19-year-old center by the name of Kevin Love, whom I  enjoy watching as much as any young player I have ever observed over the many  years of my life.  He is 6'10" tall  with a burly build, but is not particularly athletic, doesn't jump really high,  and isn't extremely fleet of foot.   Why I like to watch him, and why he is so good as a freshman, is that he  has mastered the fundamentals of basketball to such a high degree that he has  turned playing center into an art form.   Sportscasters and commentators rave about his hands and the ability he  has to throw a laser like chest pass the length of the court right into the  hands of one of his teammates for an easy layup.  However, he does everything well from  blocking shots, passing the ball, playing strong defense, shooting from inside  and outside and simply outsmarting and outplaying bigger, faster, and more  athletic big men.  If UCLA does make  it to the final four again this year it will be because of their understanding  and implementation of the fundamentals of defense and their great young center,  Kevin Love.
You  know I have a frenzied mind, but as I watch this UCLA team I think of the words  of Matthew Arnold, the great author and literary critic of 19th-century  England.  He said on one occasion, "All art earns  freedom through discipline!"  How  true that is in the world of sports as well as in almost every other discipline  or aspect of life you can think of.
I  learned this lesson as a young 17-year-old freshman at BYU about a hundred years  ago.  I received a music scholarship  from BYU on the strength of my clarinet and piano playing.  I modestly admit I was the best clarinet  player in White Pine County,  Nevada -- much better than the  other two.  I tried out for the  concert band at BYU and was awarded the 23rd chair in a clarinet section of 24  clarinetists.  First chair was the  best and 24th the worst so you can see where I fit in.  I was devastated.  My self-esteem was at an all-time low  and after a few weeks in the 23rd position I was ready to quit the band and  music.  Thankfully my parents  wouldn't hear of it and offered to help me pay for private lessons with  Professor Ralph Laycock, the conductor of the concert band and  symphony.
Ralph  Laycock was the greatest musician I ever knew personally or have known  throughout my lifetime.  He had a  doctorate in conducting from the Juilliard School of Music in New York City and was a  master of all of the major wind instruments -- trumpet, French horn, oboe,  flute, and especially the clarinet.
I  approached him with great trepidation to see if he would agree to teach the  likes of me -- I wasn't feeling particularly good about my musical abilities as  you can imagine.  He was an imposing  figure -- 6'4" tall, a hulk of a man with bushy black hair and eyebrows, and  eyes that could burn right into your soul.   Much to my amazement he agreed to take me on and so one autumn afternoon  I stumbled into his office for my first lesson.  He had me take my clarinet out of its  case and assemble it which I did with shaking hands.  He then asked me to play something and  as I commenced to blow a few notes he grabbed the clarinet and almost my teeth  along with it, out of my mouth and hands, and staring at me said, "Jack, you  don't know how to play the clarinet!"   My already fragile self-esteem was totally shattered and plummeted to an  all-time low.  I wondered if any of  Ralph Laycock's students had ever committed suicide.  "But," he said, "I think you have some  promise and if you will do what I tell you to do you might just learn how to  play the clarinet."   
Thus  began an adventure in learning the fundamentals of clarinet playing from a  master.  He took all my music away,  showed me how to correctly hold the mouthpiece in my mouth and hold the  instrument properly in my hands.   For the next several weeks I was to stand in front of a full-length  mirror looking at my mouth and hands, making sure I was doing everything  correctly, and just play whole notes, all the while trying to produce that  beautiful clarinet sound I had never been able to produce up to that time in my  career.  As I began to achieve some  success my practice time increased until I was spending eventually four to six  hours a day preparing myself to meet with Professor Laycock each week.  He taught me that practice doesn't make  perfect, but only perfect practice makes perfect!  By the end of my sophomore year, thanks  to the insistence of a great teacher that I master the fundamentals of clarinet  playing through discipline and hard work, I was playing second chair.  I could never quite do as well as Bill  Washburn who played first chair.  I  attributed it to the fact that he had a superior clarinet -- a Selma, which was the Rolls-Royce of clarinets, while I only  had a Conn, at  best a Yugo or maybe a Chevy.  As I  left on my mission I was able to play by memory Mozart's Concerto for  Clarinet.
I  love music, but as the years have passed by, the lesson I learned from Ralph  Laycock regarding mastering the fundamentals and perfectly practicing them while  exercising discipline and hard work, has been invaluable in every aspect of my  life.
Does  this principle apply, for example, to living the Gospel?  I know it does!  We must master the fundamentals of  personal prayer, scripture study, controlling our passions and appetites, and  seeking to put off the "natural man" through discipline and seeking to have  charity.
It  really is just another way of looking at the eternal "Law of the Harvest."  Ultimately in life we reap what we  sow.  If we master the fundamentals  of any worthy discipline, and also seek to master the basic fundamentals of life  that every human being has to deal with daily -- for example, getting out of  bed, working hard, being clean and organized, and trying to keep our bodies fit  and healthy, life will surely become for us an "art" and we will have "earned  freedom through discipline" and mastering the  fundamentals.
My  friend, Jim Ritchie, said it this way in quoting J. Paul Getty's formula for  success: "Get up early, work hard, and discover oil!"  If we do so, at least the getting up  early part and the working hard part, we will discover our own kind of oil;  hopefully the kind the five wise virgins had in their lamps as they anxiously  awaited the opportunity to come into the presence of the  "Bridegroom."
Thank  you, Ben Howland and Kevin Love, for reminding me of some significant and  timeless truths.
Dad/Grandpa/Jack
 
 
1 comment:
Dr. Laycock yelled at me one day as he was teaching my high school orchestra. I played a wrong note on my clarinet. A mistake I never repeated. He was a very talented man. He made me tremble in his presence.
Post a Comment